The Color Blue: A Poll

There is something about blue. What is it? A whole lotta something. Yes, even in this era of Bluetooth® and Blu-Ray™, I realized this as I spun a latent mix of New Order’s Blue Monday (I’ll never forget the 12″ wax cover art resembling a floppy disc or something neo-geo retro-futuristic). There was Miles Davis‘ indellible classic Kind of Blue, the Jet of choice, the toilet paper toting Blue Man Group, Yves Klein’s (IKB) inventive use of color, songs about the moon, G.I.s, a bayou, and suede shows, and of course the whole genre called the blues. And that obscure last film by Derek Jarman, as a filmmaker who had literally lost his vision. It makes me think about the lil’ dashed lines of DNA testing, and how it crept effortlessly and ambiguously into new drawing work (as in Species I and II), or like color bars in tones rather than primaries. It makes me think of the primaries (the red and the blue, if you know what I mean).

I GOT THE BLUES AGAIN
wav.2 (2007) has found a home. This large-scale photographic work (60×42) and particular favorite, went to a private collector this week. It’s a unique image (I am not much for editions, yeah - one of “those” photographers).The work in various shades of blue distinctively abstracts advertising campaigns of major corporations, in a montage using the power of nature (water). Of course the work is not about this blatant bastardization, rather it shifts the intent/focus of the original to simplify the subliminal macro of the everyday, focusing instead on a curvature of lines with an almost decorative mirror effect. Its title integrates my larger field interest in how sound and image are often experientially seamless, even when absent from each others’ sources, retaining a certain ambience. The two pieces I shipped to Artists Space, Plexus 8.0 and 8.1 use various shades of layered blue inks and gouache to dissect a supercollider in space. The work I am donating to the Portland Art Center in its time of need (you can do your part through a special WWeek promotion) is called The Forest (for the trees) and also employs the blues in a field of white and repetitious criss-crossing circles.

WHAT’S IN A COLOR?
You tell me. In this season of colors (”Blue Christmas” comes to mind), is it just another primary color? Huh? What do you think?
“This is only a test…” (testing the waters so to speak)

wave_test (image taken from Cracked Compass, w/Gallery Homeland)




November 19th, 2007 at 11:20 am
Blue is tin. Tin comes from Cornwall. St Ives is in Cornwall. Kits, cats, sacks, wives, I am going to St Ives.
Blue is Lapis. Lapis comes from Afghanistan. Tom Selleck flew a bi-plane to Afghanistan. So will I.
Blue is yonder. Yonder, he’s my teddy-bear. So I looked over Yonder, and got a nice fist-full of the distant and ephemeral.
I despise blue lightbulbs. And only like the blue television glow from the outside and when there are only one or two houses on a street producing it. Blue is not a good color for interior lighting.
Blue is, in many languages, an onomatoapoeia.
November 19th, 2007 at 11:53 am
Blue is the crutch that I dearly love leaning my weight on, also toothpaste is often blue, so it must be healthy.
November 20th, 2007 at 12:08 pm
a few of my favorite blues as seen in the Seattle gray:
http://www.preview-art.com/features/turrell.html — James Turrell’s Spread from the Knowing Light show at the Henry
http://www.gregkucera.com/_images/tennis/tenni_Blue-Tarp-detail_72.jpg — Whiting Tennis’s Blue Tarp painting from Tacoma Art Museum Neddy Awards show
http://www.thestranger.com/seattle/Content?oid=22045 — Roni Horn’s photo installation You Are the Weather at Western Bridge’s River Styx show
http://www.sigridsandstrom.com/ex_files/frye.html — Sigrid Sandstrom’s Ginnungagap exhibitition at the Frye
http://www.tivonrice.com/installation.html — Tivon Rice’s Philo’s Cave installation at coca (scroll down)
And some of my favorite blues lately can be found in the drawings of NYC-based artist David Dupuis (blues he refers to as his Virgin Mary Blues, http://www.derekeller.com/daviddupuis.html) — full disclosure/shameless promotion, David has 6 small drawings currently up at Platform Gallery in a spectral glimpse. Jim O’D
November 20th, 2007 at 6:45 pm
Thanks for your comments all.
Jim - I am really partial to the work of Tivon Rice. He’s on to something that I think fellow Seattlite Gary Hill left in his past. The work glows.
November 22nd, 2007 at 11:14 pm
I’ve thought about this…and thought about this….and what is really important is…..
Balooooo Velvet…..
ps….Tivon Rice at the Portland Art Institute was wonderful.
pps…..I’ve been to St. Ives….love it.
Oh ….wait a minute….I’m English….we’ve all been to Cornwall.